I'm a writer. There, I've admitted it. I wonder if there's a 12-Step program for folks like me...

Most of this blog will be about writing for a living. Or maybe about trying to earn a living as a writer. Or maybe about trying to have a life while you write.

And maybe I'll be able to avoid the driving temptation to write about politics. But I'm not very good around temptation, so all I can promise is that I'll try to avoid writing about politics.

But I will write about the software I use, and the software I try out, and what I think about it. I actually spent lots of years in software testing - as a tester and as a manager of testing departments. I actually started work in software development in 1971, so I have a bit of experience with computers to back up what I have to say on this subject.

Saturday, April 28, 2012

Morgen Bailey

 

Morgen Bailey, located in Northampton, England,  has recently set up a new ‘Author’s Interview’s’ blog and reposted (and updated) an interview I did with her a few month’s back. Don’t let her address on the other side of the pond put you off. Her work and her blog posts are read all over the world:

http://morgensauthorinterviews.blogspot.co.uk/2012/04/author-interview-no11-gary-showalter.html

But this post (this one, right here) is not so much about about that interview with me (though it does have a lot of new info in it) as it is about Morgen and what she’s up to.

If you are a writer, or you love writers and what they do, or don’t give a fig about writers just so long as you have something interesting to read (or if you’re so desperate for something to read you’re back to reading the labels on soup cans), Morgen has something to offer you.

In her own words:

“Also I’ve since had a story published in a new charity anthology and four of my free (debut) eBook short stories, a writer’s block workbook and an anthology of short stories went live on Smashwords and Amazon and I’d be ever so grateful if you know of anyone who might be interested… more (novels) to follow shortly.”

Here are a few links to get you started:

Morgen with an ‘e’

http://www.morgenbailey.com/
http://morgenbailey.wordpress.com and http://www.smashwords.com/profile/view/morgenbailey

Now a new forum at http://morgenbailey.freeforums.org

And please, for my sake do repost my previous blog about the giveaway of the Kindle version of “The Big Bend”. It runs from 2 May through 4 May, and I would love to give away several thousand copies of that novel. It’s not only the first in the Terry Rankin series, it’s also the best selling of the lot ( it is a well-written tale and my personal favorite).

Here’s the link to the book page on Amazon:

http://www.amazon.com/The-Big-Bend-ebook/dp/B0035G0722/ref=sr_1_3?ie=UTF8&qid=1335612333&sr=8-3

Friday, April 27, 2012

Free Download of “The Big Bend” for the Kindle Reader

 

PLEASE REPOST (SHARE) THIS ON YOUR BLOGS AND SOCIAL MEDIA PAGES, AND ASK EVERYONE YOU KNOW TO REPOST AS WELL!!!

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I have had such great response to the Kindle Free Promotion program for my novels that I am going to offer another. This time, "The Big Bend", my best seller (and the first in the Terry Rankin series), will be FREE to all from 12:00 am on 2 May through 11:59 pm on 4 May. That's Pacific Standard Time, by the way, and the start and end times are approximate.

Again, you do not need to own a Kindle to enjoy FREE Kindle books. There are plenty of Kindle Reader apps for the PC, the Mac and all sorts of hand-held devices. Here’s the link to the Kindle Free Reading Apps page on Amazon:

http://www.amazon.com/gp/feature.html/ref=sv_kstore_1?ie=UTF8&docId=1000493771

Please note: be sure to verify that the 'Buy' price for the novel is listed as $0.00 when you go to purchase the book!!!

This is the "The Big Bend" Kindle book page at Amazon. The FREE download offer for the  “The Big Bend” will run from 02 May through 04 May (3 days):
http://www.amazon.com/The-Big-Bend-ebook/dp/B0035G0722/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1335534438&sr=1-3

I would be tickled pink to see several thousand copies of “The Big Bend” downloaded and read. Especially if this results (as it usually does) in new readers coming back to purchase my other novels and posting reviews all over the place.

So, please, take the time to share this information with your friends through your social media pages, Tweet the info and repost this for readers of your blogs.

I wish you all the very best life has to offer.

Thursday, April 26, 2012

Dreams vs Harsh Reality…

… or, “Be careful what you wish for”

I suppose this post is mostly for  writers in the early stages of their chosen career. I’ve written on this subject before, and in those posts I have made a very honest attempt to avoid sugar-coating what every budding writer will have to face in the first few years.

I don’t do this to scare away new authors – far from it. The more the merrier, in my opinion. Dashing into the fray without any forethought is a time-honored (if somewhat foolhardy) pastime of the young and optimistic among us.

But you do need to know what lies ahead of you. Writing that first (or second, or third) novel was tough enough, but how do you sell it, to whom do you sell it, and what exactly are you selling, and how much can you get for it?

What? You have no idea? Well, golly gee, Louise, why in the heck not?

Risk-taking is a very big part of getting ahead, and without risk takers the human race would never have gotten ahead of the lemurs on the evolutionary path. So go for it. Take risks. Get your manuscripts out there.

Contact literary agents, submit your writing directly to publishing houses. Pump out your press releases. Stay optimistic, even in the face of hundreds of rejection letters. Keep writing and don’t ever give up on yourself.

But don’t ever quit learning, either. Study the industry. Just make sure you study the readership, as well, since they are the ones who will buy your work. Please your readers, and don’t give much of a tinker’s damn about the literary agents or the publishing houses. They don’t buy your work, and hardly ever take the time to read and enjoy what you write. They will take your money, though. If you let them.

I wouldn’t. I’ve never paid a literary agent or a publishing house a single penny of my royalties, and never will. There was a time in the publishing industry when a writer had no choice but to submit their work – and their livelihood, and their dreams – to the whims of agents and publishers, but that day is happily done and over with, thank heaven.

You have options, and I strongly suggest that you consider them very carefully before you waste a single penny on postage or printing for your query letters and submission packages to agencies or publishing houses.

Research the industry. Join writer’s groups in your area. Join online writer’s groups and become current on industry trends. Study the trends among readers in your genre. Take responsibility for your own future as a writer. Don’t ever depend on a literary agent to take care of you – for the most part they are way too busy taking care of themselves to spend any time at all in looking out for your own best interest.

As I have mentioned before, writers are prey animals in the publishing world. Everybody wants a piece of you and what you earn.

You can’t even begin to learn to protect yourself until you understand that one single fact.

You can’t survive, much less get ahead, until you do. And yes, it is that important.  You are entering into a strange (in some ways very strange) new world when you complete your first novel, and you have no idea of what lies ahead of you.

Every time you sell a copy of your novel, or history, or collected works of poetry/short stories, you are taking money from a reader who just might –might – have given me his money instead. You compete with every writer in your genre for the money in your reader’s pockets.

But here’s the really odd thing about writers. We seem to like each other. It may have something to do with the herd mentality; we know we are prey animals, so we stick together. Yes, we compete for readers, but we also protect each other from the predators as best we can.

Every time your literary agent takes his 10 % or 15% out of your royalty check before sending the balance on to you, he is taking money out of your pocket and putting it into his. Ask yourself why? What has he done for you in the last six months?

You and you alone are responsible for promoting your book (s). You and you alone have to invest your time and money in getting your work into bookstores and getting to and from book signings and promotional events. So just why are you giving so much as a single penny to an agent or a publishing house? Explain that to me again, please?

In case you haven’t noticed, I am an independent sort of guy. Nobody’s the boss of me. And while I am as easily snowed as the next guy on occasion, I will wake up sooner or later (okay, sometimes much later), and get the situation straightened out in my favor. I LIKE my independence; I like being the only one responsible for my success or my failure, and I see no reason why I should pay anyone a single dime if I don’t have to. Mostly because I know damn good and well that nobody is going to work as hard for me as I do.

I also know that the publishing industry is and has been in a downward spiral for the last fifty (or maybe it’s a hundred) years and there is no sign of it recovering any time soon. There is not a single publishing house in business today with enough cash on hand to spend a dime on promoting a new author, including a paying Publisher’s Weekly for so much as a small box ad on the back page about the first release of that author’s novel.

And no literary agent will ever spend a single penny on a publicist to arrange a television talk show or nationwide radio station tour for you. John Grisham might get that sort of treatment, but most of us are not John Grisham.

Book marketing is a very specialized segment of the marketing industry. Study it, and study the people involved very, very carefully. They, too are predators. There are some incredibly professional, honest and very hard-working individuals in the business, but you have to keep in mind that they are in business to make a living, and they make that living off of your skill as a writer.

You are on your own. It’s you against the entire publishing industry. Do your research.  Do lots and lots of research. You won’t regret it.

Your comments are always very welcome.

Saturday, April 21, 2012

Linksys RE1000 Hardware Review

 

I have worked in and around computers since 1971. And yes, we did have computers back then. Just to put things in perspective, the Romans had opened the Coliseum only a few years before that, and Chuck Yeager was beginning to think he wanted to learn how to fly.  The Wright Brothers were still stealing apples and kicking cans down the road, and dreaming of owning their own bicycle.

1971 was a long time ago. I worked first for Control Data Corporation in Atlanta as an entry-level database programmer, and then with a bit of experience under my belt I got a job with the State of Georgia Mental health Department. Neither job paid very well – I would have seen a better paycheck as a gardener, but at least the work was inside, with air conditioning.

After working up a flow chart and writing some code (In COBOL), I had to punch my own cards on a keypunch machine, stack them neatly (and in order, of course) in a shoe box and run them across town  to the data processing center where the guys in white lab coats would load the cards into the hopper on the card reader and push the big red Go button to wake up the room-sized (really large room, too, with all of the cables run under the floor) IBM 360, which would, in about .3 of a second, spit out my cards almost before it had a chance to read them. Then I would take my stack of cards back across town to my cubbyhole-sized office and try to figure out why my app didn’t work.

Again.

I have always had a love-hate relationship with computers. And they know that.

Office politics put an end to my job about half way through the  project and I quite happily went back to work as a gardener.  The pay was much better, I didn’t have to freeze mu butt off in the air conditioning, and there was no interoffice bickering, either.

I’ve been around computers a lot in my life – I’ve gotten away from programming over the years, though I did work in Fortran, IBM Assembler, Perl and some of the ‘C’ language variations and even Unix, and worked as a Novel Sys Admin back in the day. I’ve taught DOS and Windows classes to newbies, repaired and upgraded PC’s and spent years in software QA ( testing) and hardware testing. My last two jobs in the industry saw me with my own software QA lab with over a million dollars worth of servers and over thirty employees in my department.

So I know something about hardware and software and how they’re supposed to work together to make our lives a little easier.

Actually, they don’t. But that’s a rant we’re not going to go into here (and probably shouldn’t, ever. The computers will know, and that will make them very angry with me).

So here I am in Deland, Florida, almost a year before I intended to be anywhere near Daytona, where I plan to locate the next Terry Rankin novel. Since I don’t have a fixed domicile (and don’t want one), I am renting a room in my nephew’s home while I wrap up a writing project and begin to do the research on that novel I just mentioned.

There were three computers in this home, and when I arrived only two of them had internet access via a 2-wire DSL connection provided by ATT. Basically a 1200 baud modem connection (though it was DSL, it was painfully slow). The modem and the router were installed on my nephew’s computer in their bedroom at the back of the house, and my computer was in my bedroom about 50 feet away at the front. I used a Linksys N1000 Wi-Fi adapter to connect to the 2-wire DSL router.

For the first few months I could barely load a web page in my browser, and checking my email was enough to put me into a rage.

I offered to cover the cost of broadband cable internet, and that offer was quickly accepted before I could change my mind. So I contacted Brighthouse and ordered the service. They showed up the next day and a few hours later we were up and running. My Linksys N1000 adapter was retired and I was given an Ethernet connection direct to the router.

For the first few days things went swimmingly, until my nephew’s wife began to complain about how slow her Wi-Fi connection was (via an old Belkin Wi-Fi adapter). She couldn't play her internet based game – the action in the game was choppy, and my nephew said it took way too long for his email to load…

Golly, gee, why did that sound so familiar???

Our computers are set at opposite ends of the house, and there is one concrete block wall and a few wood and sheetrock walls between them. I discussed the issue with my nephew and told him we needed a Wi-Fi Extender and he agreed to pay half the cost. I drove over to the Best Buy store in Daytona and picked up the Linksys (Cisco) RE 1000 Wi-Fi Extender. It cost $79.00.

The next day I finally had time to set it up. The box contained the Extender, an Ethernet cable (unnecessary), a power cord and  an install CD. Everything you need, other than a bit of common sense and/or someone who knows what he’s doing.

The instructions on the CD are very clear, and very short, and not very helpful if things don’t work the way they should the first time ‘round. They didn’t.

Before you connect the Extender to anything, you slip the CD into the reader and it does a search for the Wi-Fi signal. Then it tells you to plug the Extender into an electrical outlet close to your computer. You are also told that if your computer is not using an adapter to connect to the Wi-Fi signal to move to a computer that does use an adapter, or to disconnect the Ethernet cable between your computer and the router and make an adapter-based connection.

I had an Ethernet cable connection with the router and saw no need to change that (silly me, but I didn’t know that at the time, did I?).

So I moved to my nephew’s computer at the other end of the house and tried to set things up there. Four hours later I gave up. I was able to set up the Extender, but it could not access the router (no, it didn’t make any sense to me, either), so there was no internet connectivity, and that was the point of the exercise, wasn’t it?

I reset the Extender to its default settings and carried all the bits and pieces back to my computer, where I disconnected my Ethernet cable from the back of my computer and reconnected my Linksys adapter. Then, being somewhat impatient I slipped the install CD back into the reader and proceeded to screw things up once again. An hour later I realized that I hadn’t rebooted my computer after reconnecting the Linksys adapter.

So it was still trying to read data via the Ethernet cable. Which was no longer connected to my computer.

I rebooted. Once the system was back up it took about two minutes for the installation to complete. The Extender was working, but I still didn’t have an internet connection.

So I called tech support at Brighthouse and after a few minutes that problem was solved (somehow the settings for the IP and DNS servers had been changed to FIXED instead of Obtain – and no, I have NO idea why this was changed or what forced the change) and my internet connection was up and running.

Once the Extender is connected properly and you know everything works, you can unplug it from the power source and move it to a more central location in the house, and even turn it this way and that until you find an optimal location – one that provides the maximal signal strength to the most distant computer.

So the Linksys RE 1000 Wi-Fi Extender works, the install CD is easy to follow as long as everything goes swimmingly the first time and persistence and a few phone calls can usually handle any problems that may come up due to a lack of information or a wish to avoid what seems at first glance to be unnecessary labor.

So everybody’s happy. Except for my nephew’s son, who still needs a Wi-Fi adapter for his computer, along with a computer table. And I still need a grounded 3-wire outlet so I can connect my expensive UPS into the wall. The house is all 2-wire electrical service and the UPS refuses to accept power from an ungrounded supply. But I have an electrician due on Monday to price that for me.

Oh, well.

Thursday, April 19, 2012

On the Pursuit of Filthy Lucre, and other Worthwhile Endeavors

 

Let’s face it; unless you are independently wealthy, or at least supported in the style to which you have become accustomed by someone else, you need to earn enough money to keep body and soul together. And maybe pay the rent, utilities and insurance, buy a bit of food every now and then and maybe even put a bit of gas in your car/truck/van/Bugatti or at least fill your bicycle tires with air.

But you’re a writer; by trade, avocation, inclination or even out of sheer desperation (just like yours, truly) because your last your last job went away and nobody wants to or can afford to hire you.

If you write for pleasure, lucky you; you can ignore the rest of what I have to say and just toddle off down the garden path and sniff a few roses, chase a butterfly and pet your cat. But if you hope to or simply have to earn your living through writing, here’s the nitty-gritty, down-to-earth rude and crude truth about what’s involved.

Most folks who produce material on earning a living as a writer will write an entire book on the subject, and give you lots of information on a particular segment of the writing industry, even giving you a list of contacts for submitting to agents/publishers. Check your local bookstore.

But you didn’t need me to tell you that; you probably have one or two such books on your shelf now. I’m not going to waste your time - and mine - doing your research for you. That’s your job and you will learn a great deal if you invest some time and effort in it.

I’m much more interested in discussing how you turn a talent into a skill, and how you convert that into a product you can sell into your chosen market. So let’s assume for the moment that you do have a fluency with words; you know how to organize your thinking and how to put words on paper so they will mean something to a reader.

That’s a great starting point. I really don’t care if you’re a poet at heart, or a short-story writer, a novelist or you derive great pleasure from writing travel articles or fly-fishing stories. You have a talent for expressing yourself and a marketable skill.

Or at least you think you do. Join a writer’s group. There are scads of writer’s groups, both on-line and in your area. Look into Yahoo Groups, join LinkedIn, join your local library and inquire about writer’s groups. Nobody cares what you write, only that you do.

And then submit your stuff for some constructive (if occasionally harsh) criticism. You and your writing both need and deserve criticism. Tough it out. It’s good for you and for your writing. That sort of criticism will help you to grow as a writer; until you do this, you really are working in a vacuum.

You need a plan. A marketing plan. You need to treat your manuscript as a ‘Product’, because it is. In the same way a furniture maker builds cabinets or chairs or rocking horses to sell, you write stuff. In the same way he or she has a feel for what will sell in his chosen market, so do you.

Or at least you should. There’s no sense investing time and effort in writing something that won’t sell; not if your goal is to make a living as a writer.

And you can’t convince the market to buy your stuff just because you like it. Oh, readers might invest in one of your stories/articles/novels/whatever, but if they feel disappointed in your work for whatever reason  they will never, ever buy another piece from you.

And there goes your market. You can wave bye-bye now. See you.

Get to know what’s selling in your genre today, and figure out how to forecast what will sell by the time your manuscript is ready for the printer. That may be six weeks or six months from now. Or a year or two years, depending on your productivity.

You write for a specific market, whether you know that or not.

So get to know your readers, and what they want to read. It really does not work the other way ‘round. Or at least it does not work very well. The first law of writing for a living is that you have to write something your customers want to read. If you want to sell lots and lots of books/articles/collected poems, you have to write what lots and lots of readers want to read.

It’s really rather simple, if somewhat harsh on the ego; nobody cares what you want to write. They only care that you write what they want to read.

You have to become accustomed to looking at your writing as a business. Marketing – orienting your sales toward a market, and Promoting yourself and your products – getting the right eyes on your products and convincing them to invest in your writing, is the most important part of writing for a living. If “Content is King”, as many people say, “Marketing is the Emperor”.

All the content in the world isn’t worth spit if nobody knows it’s there, and if nobody sees any value in that content for themselves, your sales will be, well, minimal.

And THAT is the key to selling your work.

You have to add value to your work. You – your name, your biography, your skill as a writer, has to become your major marketing tool. Everybody knows of John Grisham, John D. Macdonald, Carl Hiaasen, Agatha Christie, and so on. Most of those same people could not name more than one or two novels written by any of those authors, but they do know their names.

They know their names, and they trust those authors to write what they want to read. In other words, their very names add value to their work in the eyes of their readers.

You sell yourself to your market. Then your market buys your books. It’s that simple, and that important.

Tuesday, April 17, 2012

Write What you Know, Not what you Think

 

Just the facts, Ma’am.  Let’s preface a discussion of character description and development with a short digression on facts and the writer’s Life experience (or staggering lack thereof).

In fact (so to speak), this is one of my major gripes about some authors and what must be a pathological hatred for research (or  perhaps it’s due to a very sheltered life). I really enjoy ‘boaty’ stories; so much so that I will  do just about anything to include one or more ‘boaty’ scenes in everything I write. Admittedly, I have (so far) avoided small plastic boats floating in a bathtub, but I am tempted to slip that into my next novel. Somehow.

But some writers will go to amazing lengths to avoid researching terminology when writing about stuff they don’t know. In a rush to complete a scene they will throw terms around without any regard for proper usage, when all it would take is a brief phone call to  a friend in a relevant trade or industry to verify proper terms to describe what the author wants to include in a scene. It’s not difficult, folks. Don’t be lazy.

Readers will become so upset over improper usage of terms (nautical or otherwise) they will throw your “Great American Novel” directly into the garbage. Certainly, if they do not trash the author to their friends they will never, ever recommend him or her to anyone.

Research is King, boys and girls. Don’t assume you know what you’re writing about; KNOW it. Don’t assume that because you are you that you have all of the facts at your fingertips – you do not. If you don’t handle firearms every day or every week, don’t write about them without some serious research. If you don’t own a boat, or go boating with friends, or build boats, go speak with someone who does before you write a novel with a boatbuilder or boat owner or whatever. If you don’t know about aircraft or flying, don’t write about it.

Research is KING. Research – or the embarrassing lack thereof – will make you or break you as an author. Period.

So now we can deal with character description and character development. Believe it or not, this is very much related to my little diatribe above.

Some authors are plot-driven writers. They come up with these intricate, twisted plots and just have to put them down on paper. They become so wrapped up in their plots they have no time or interest – or space on the paper, for that matter – for their characters. As a result of this concentration on plotting, their characters appear as cardboard cutouts of human beings.

They wind up with totally one-dimensional, and intolerably uninteresting characters. Everything in the story is all about the ‘Plot’ and little or no attention is paid to the characters or their interaction with one another outside of the plot line. The reader gets the idea that the author is completely lacking in human understanding.

People are complex critters; they are driven by fear, desire, inadequacy, unthinking lust, addiction, loneliness, hopes and dreams, desperation, you name it. And all at the same time. Perhaps a little introspection is in order. Perhaps a bit of observation of the behaviour of others.

Again; write about what you know, not about what you think you know. If you don’t know about people and what drives them to make the decisions they do, or say the things they do, or the way they say those things, don’t write about people. Write tour guides, or advertising copy.

That may be a  bit harsh, but write about what you know. And if you don’t know how one of your characters should react in a scene, ask someone. Ask two or three people – of any sex – how they would react in that situation, and ask them to be honest when they tell you. I certainly am not suggesting you take any course in psychology or sociology; heaven forbid.

But don’t be afraid to reveal your characters as real human beings facing real situations. Even if your novel is set aboard a starship in the Crab Nebula (lovely place – lots to see and do there), they are still human beings (well, some of them are, anyway).

People want to read about people. You do yourself and your tale and your reader a disservice if you fail to provide enough information about your characters for the reader to see them as human beings.

I do not recommend that you describe each character in complete detail at the beginning of your tale – fifteen pages of character description is a bit much for any reader. But do provide a brief physical description, a brief revelation of what they do and where they come from (background). Just enough for the reader to build an image of that person, and that will convince them to become invested in your tale.

The reader comes to know your characters as people, and that helps him or her to ‘suspend his disbelief’. And through the course of the story, reveal – through the characters actions and dialogue – who he or she is and what drives them.

“Show, don’t tell,” is the key to interesting writing. Show, through action and dialogue what is going on, who is doing what to whom, and why. Write actively – not passively. Stay away from the ‘have had’s’  and ‘had done’s’ and ‘had been’s’. Forget passive anything in your writing.

And the same holds true with your characters. Reveal them through their actions and their speech patterns. You don’t need multiple paragraphs filled with a narrative about why someone is doing something or ‘had done’ something. Historical narrative is guaranteed to put your reader into a coma. Keep it active – keep your writing here and now. That will keep your reader involved in your characters and your tale.

Friday, April 13, 2012

“Lonesome Cove” is now available for purchase

 

Here’s the URL for the book page on Amazon:

http://www.amazon.com/Lonesome-Cove-The-Bend-ebook/dp/B007TVBGEM/ref=sr_1_9?ie=UTF8&qid=1334359337&sr=8-9

My fourth novel, fully two years’ worth of research, writing, editing and rewriting, is now available for purchase for the Kindle. It is a tale about the search for a missing woman, the granddaughter of a Mob hit man released after serving twenty-five years in prison for a double murder. It’s also about a dirty cop, Latino gangs, and revenge. And three tons of gold, stolen off a ship in the Port of Miami back in the early 80’s. It’s still missing, you see…

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Here’s the back text:

Terry Rankin isn’t so sure about his new client, Gianni Lupo. Gianni is an old man, just released from prison after serving the full twenty-five years of a Life sentence for a double murder in Miami. But Terry figures the man’s paid for his crime and now he’ll spend his declining years tottering around his home on Sanibel Island. Terry isn’t sure why Lupo feels the need for armed bodyguards, but what can go wrong? After all, it’s been twenty-five years.

And three tons of gold is still missing…

 

And here is the URL (again) for the book page on Amazon:

http://www.amazon.com/Lonesome-Cove-The-Bend-ebook/dp/B007TVBGEM/ref=sr_1_9?ie=UTF8&qid=1334359337&sr=8-9